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From now on, every time you log into a Google property for example, GmailChrome will automatically sign the browser into your Google account for you. However, and this is important: Google developers claim this will not actually start synchronizing your data to Google — yet. I noticed mine the other day: But the mainstream tech press seems to have ignored it completely. This is unfortunate — and I hope it changes — because this update has huge implications for Google and the future of Chrome.

From my perspective, this comes down to basically four points: This change has enormous implications for user privacy and trust, and Google seems unable to grapple with this. I warn you that this will get a bit ranty. Please read on anyway. To paraphrase this explanation: This seems bad, and sure, we want to avoid that. But note something critical about this scenario. In order for this problem to apply to you, you already have to be signed into Chrome.

There is absolutely nothing in this problem description that seems to affect users who chose not to sign into the browser in the first place.

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So if signed-in users are your problem, why would you make a change that forces unsigned—in users to become signed-in? That requires an additional consent step.

So in theory your data should remain local. This is my paraphrase.

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This is nuts, for several reasons. The Chrome developers want me to believe that this is fine, since phew! The problem here is obvious: The Chrome sync UI is a dark pattern.

It looks like this: If so, what happens to my data if I click it by accident?

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It can happen quickly. In short, Google has transformed the question of consenting to data upload from something affirmative that I actually had to put effort into — entering my Google credentials and signing into Chrome — into something I can now do with a single accidental click.

This is a dark pattern. It even gives former Google people the creeps. We do this with some vague understanding that yes, the Internet spies on us. But we also believe that this spying is weak and probabilistic. What happens if you take that belief away? Will user feel comfortable browsing for information on sensitive mental health conditions — if their real name and picture are always loaded into the corner of their browser?

Green Room () - IMDb

My mother always told me I was a show-off". After that she did not receive any roles except for a low-budget film, writer-director-producer Sean S. Cunningham 's Togetherin which she appeared nude. Inshe moved from Westport to San Francisco, where she held several jobs that included topless model and bottomless dancer. In she saw an advertisement in the San Francisco Chronicle for a casting call for what was billed as a "major motion picture".

She was about to leave when producers Artie and Jim Mitchell noticed her resemblance to Cybill Shepherd. They invited her upstairs to their offices and told her the film's plot. Chambers was highly dubious about accepting a role in a pornographic film, fearing it might ruin her chances at breaking into the mainstream. But she was turned on by the fantasy of the story and decided to take a chance, under the condition that she receive a hefty salary and 10 percent of the film's gross.

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She also insisted that each actor get tested for venereal disease. The Mitchell Brothers balked at her request for a percentage of the film's profits, but finally agreed, realizing the film needed a wholesome blonde actress.

Unusually, Chambers does not have a single word of dialogue in the entire film. The scene with Keyes is followed by Chambers mounting a trapeze contraption suspended from the ceiling. She then engages in vaginal intercourse with one man as she performs oral sex on another and masturbates two others.

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I just did it as it happened, and it worked. I've always been highly sexed.

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Oh, my God, I love it! Insatiable is the right word for me". Critics have since debated whether she was really having orgasms in her scenes or just acting. Although not the runaway blockbuster that Green Door was, Eve was a hit and a well-received entry into the porno chic market.

It also helped set Chambers apart from her contemporaries Linda Lovelace and Georgina Spelvin as the wholesome, all-American girl next door. Following Eve, Chambers was anxious to transition her fame into other areas of entertainment.

At the time the Mitchell Brothers were still her managers. In retaliation, the brothers created a documentary in called Inside Marilyn Chambers, which was composed of alternate shots and outtakes from Green Door and Eve, as well as interviews with some of her co-stars.

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Jim and Art ripped me off. They felt I'd betrayed them I felt they'd betrayed me, and for many years, we didn't speak. Only when money was to be made did we start talking again. But, to a lot of people, it was still a dirty movie; for me to do anything else, as an actress, was totally out of the question. I became known as a porno star, and that type of labeling really hurt me.

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It hurt my chances of doing anything else". Her biggest opportunity came in when it was announced in Variety that she was to star alongside Rip Torn in City Blues, a film about a young hooker defended by a seedy lawyer. The film was to be directed by Nicholas Ray. Ray had never seen Behind the Green Door or even screen-tested Chambers.

Instead, the two met and Ray was impressed. Scottbut the casting director took one look at her and said she was too wholesome to be cast as a porn queen. That's such a cliche," Chambers said years later.

Rabid[ edit ] Chambers won the starring role in film director David Cronenberg 's low-budget Canadian movie Rabidwhich was released in Reitman felt that it would be easier to market the film in different territories if the well-known porn star portrayed the main character.

Cronenberg stated that Chambers put in a lot of hard work on the film and that he was impressed with her. Cronenberg further states he had not seen Behind the Green Door prior to casting her.

I found it useful in sex films, too! It was broadcast on cable television channels such as the Playboy Channel. In Insatiable she sang the theme song, "Shame On You," which plays over the opening credits. She did the same for the song "Still Insatiable", which was used in her comeback in the adult film of the same name. She also sang vocals in the X-rated film Up 'n' Coming, in which she plays a rising country music star.

In the early s, she was the lead singer of a country and western band called Haywire. Both were published by Warner Communications. She also wrote a sex advice column in the mid-to-late s for Genesis magazine called "Private Chambers", and one for Club magazine throughout the s called "State of the Nation".