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On the surface, Quilty is the sophisticated and world-renowned playwright, but in reality he is also a bloated and drugged-out pervert. In the beginning she appears to be a normal and healthy preadolescent. In public he has her act the role of his happy, insouciant, young daughter.

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Lolita, denied a normal upbringing, has to survive by assuming different roles, failing at the only one she should have played—that of a happy-go-lucky young girl.

Good Story Judgment Ultimately, Humbert succeeds in resolving his personal angst. After a long and tortuous confession and an honest, objective, and analytical treatment of his sins, he lays down his burden of guilt and is ready to take his punishment. Humbert spends hours minutely planning his wooing of Lolita and later, continually blackmails her into staying with him using blandishments. Lolita, aware of her power over Humbert, gets him to buy her an extraordinary amount of worldly goods.

The author recites lists and more lists of these purchases.

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Quilty and Lolita play mind games with Humbert through a series of clever missives and Humbert even admits that: Being Overall Story Concern Most of the objective characters are intent on playing a specific role which masks the reality of their characters.

Lolita, of course, must juggle many roles: This is her surface role, the one under normal circumstances she would have, and should have, been allowed to follow exclusively. Quilty is indeed a brilliant playwright, which masks his drugged out private diversions. Gaston Godin appears as a jolly and competent French teacher, yet he also has a secret predilection for young boys. Ability Overall Story Issue The objective characters all have different degrees of success in their ability to dissemble.

Humbert is well suited to the task, as is Quilty. Both are extremely intelligent and worldly sophisticates. Lolita has the horrendous burden of playing so many roles, and not only is her very young age and relative inexperience a hindrance, the unexpected death of her mother leaving her alone in the world deals a savage blow. In light of what she is forced to go through, she should be given high marks for her performances.

Charlotte was not well suited to handle Humbert; she is terribly outmatched and outclassed by him from the very beginning. Desire Overall Story Counterpoint The objective characters imagine that something better exists for them.

Humbert is highly motivated by his incessant sexual desires to clear the way for his total possession of Lolita. Charlotte is not only aware that her position in the community will improve by her marriage to Humbert, but she is also helplessly in love with him. Quilty desires Lolita and accurately guesses her relationship with Humbert.

This causes him to try and add her to his odd assortment of sexual partners. Valeria wants out of her unpleasant marriage to Humbert. To Rita, anything is better than her loveless and aimless existence. There is also a hint that Jean Farlow has subconscious designs on Humbert. Overall Story Thematic Conflict Ability vs. Desire Charlotte desires Humbert but lacks the ability to hold his interest. Quilty covets Lolita, but she refuses to use her capabilities to further his schemes.

Humbert and Annabel desire each other, and have the ability to consummate their love, but are watched too carefully to be able to follow through. Humbert does not desire Charlotte, Valeria, or Rita but he does have the knack to fake it when necessary. Perhaps this conflict between ability and desire is best illustrated by the adage: Humbert leads the way with his deviant sexual behavior.

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Humbert is unable to do so, to the detriment of other characters. Even Rita, though essentially harmless, must be hidden from view because of her chronic alcoholism. Cause Overall Story Symptom Examples of how attention is focused on cause in the objective story are: When I tried to analyze my own cravings, motives, actions. I surrender to a sort of retrospective imagination. Desire Overall Story Catalyst The catalyst of desire is incorporated in the character of Humbert and is what drives his actions, thus moving along the objective story.

Conceiving Overall Story Benchmark The objective characters apply their efforts to coming up with various ideas to achieve their goals. Charlotte schemes to marry Humbert, then plans to separate from him upon discovering his diary. Quilty invents challenging and cryptic postcards that he sends to Humbert in order to thumb his nose at him.

Later, he expends all of his imaginative powers trying to talk Humbert out of killing him. Valeria and her secret beau, Mr. Taxovich, originate a plan to get rid of Humbert, and Lolita spends almost two years desperately thinking up ideas on how to escape from him. Overall Story Backstory Most of the characters had suffered loss before the story begins. Humbert had lost his mother at age three and his beloved Annabel when they were both thirteen.

His first wife, Valeria, had subsequently left him. Charlotte had lost a baby son, and her husband and father to Lolita had died. Preconscious Main Character Concern Humbert has built-in reflexes when it comes to prepubescent girls. These innate responses are a great aid to him when he is sizing up a potential prostitute, or when he is surreptitiously scanning a playground or a park for young girls. When he meets Lolita, he knows immediately that she is his ultimate goal.

You have to be an artist and a madman, a creature of infinite melancholy, with a bubble of hot poison in your loins. He is frightened that society will figure out his unnatural liaison, especially the law. He is very apprehensive that Lolita, who, when she shows overt signs of distaste towards him, will try to run away.

He becomes paranoid about people, places, and especially, the future. We observe him admiring himself in the mirror, and all throughout the novel he inserts descriptions of his physical characteristics, as he preens and seems to take invisible bows. He prides himself on packing his memoir with allusions and references to artwork, music, classical poems and books.

These are usually tossed in as asides. The offhand use of other languages also underscores his pride of scholarship, as do the clever puns and acronyms he employs.

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His incredible vanity shows through when he pokes fun at philistines and the bourgeoisie. Main Character Thematic Conflict Worry vs. He begins to become truly agitated—paranoid about everything as his confidence wanes. When Lolita does make her escape and Humbert barely prevents himself from being arrested in a hospital scuffle, his confidence returns, because now he has nothing whatsoever to lose: Non-Accurate Main Character Problem Humbert is frequently overwhelmed by guilt over his obsessive lust and intolerable use of Lolita.

At times he comes to hate himself for his unpardonable actions. However, his lust comes roaring back and all of his good intentions to stop his behavior go out the window. The principal symptom of this realization causes him to focus on keeping everything in their relationship running smoothly: By constantly honing, refining, and tinkering with these procedures, he hopes to create the desired result of enjoying a worry-free sexual relationship with Lolita for as long as he should wish.

If he had allayed this anxiety by dissolving his relationship with Lolita, he would have been able to solve the objective and subjective story problems. He follows a rigid plan to keep Lolita in check, but he underestimates her depression and wiliness.

Their relationship progresses and he, time and again, suffers guilt and remorse. He is in full possession of the negative impact of this relationship, yet he still stays his course of action.

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A European intellectual and pedophile, Humbert lusts obsessively after year old nymphet Lolita. Main Character Backstory European professor Humbert lost his mother when he was three, and his true love Annabel when they were both thirteen.

These events left a tragic mark, and during his college years he developed a taste for young girls.

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Rather than act upon this lust, he stuck to young looking prostitutes until he met his first wife, Valeria, whom he married basically to keep him from acting upon these unnatural desires.

After mistreating her, she divorced him and left with her lover. Humbert embarks on a new life in America; he decides to rent rooms from Charlotte Haze, specifically because she has a twelve-year-old daughter. During her two years of virtual sexual servitude she is slowly able to advance to her goal by means of a set of successive maneuvers on her part; increasingly evasive and crafty actions that eventually help her reach her freedom.

Threat Influence Character Issue Lolita is in a horrendous situation. Security Influence Character Counterpoint Lolita has evaluated her defenses and has found they come up short. Influence Character Thematic Conflict Threat vs. She enjoys watching Humbert squirm when he begins to feel threatened by her subterfuges. The fear of losing her eventually causes him to become paranoid, and to feel extremely insecure himself. The tension between threat and security starts to change in the balance: In the beginning Lolita felt threatened and insecure, and now it is Humbert who feels the weight of both.

Since he is clearly unable to put a stop to his behavior, it is up to her to solve the story problem by dealing with it. Result Influence Character Solution When Lolita is finally able to free herself of Humbert with the help of Quilty and her own acting skillsthe impact on Humbert is enormous. The consequences of separation from Lolita are such that Humbert has time to think about his obsessions and, although he admits his lust is still with him, he finds that he has an ever abiding love for Lolita, something he never really had before.

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This attitude of course leads to big trouble. Here is the nymphet Annabel, reincarnated, in a sense, in Lolita. Effect Influence Character Response When Humbert sees Lolita again after a three-year absence, she has grown considerably.

She appears to have emotionally disengaged from him and, at least on the surface, is able to handle him with great aplomb. India, however, rejects all his attempts at friendship. India discovers more about Uncle Charlie than she wants to and becomes drawn to him. Their relationship, besides incestuous and unhealthy, is dangerous — for everyone. Labyrinth year-old Sarah Williams Jennifer Connelly is left in charge of her baby brother Toby while her parents go out for the evening.

Toby is hugging her favorite teddy bear and she dramatically responds by wishing for Jareth the Goblin King David Bowiea character from her favorite play to take Toby away. Surprisingly enough, he appears and does just that, despite her pleas to leave them alone, saying that she was just being melodramatic.

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As a compromise, he gives her thirteen hours to find her way through his labyrinth and save Toby before he turns him into a goblin. Sarah falls into a trap, causing her memories and motives to fade.

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She escapes into a dream world set in a ballroom with 80s dresses and Bowie pop songs, where Jareth finds and dances with her. The Goblin King shows in the most contradictory way, that he is doing all this because he is in love with her.

His obsession with her is why he tortures Sarah so that she becomes trapped in his world forever. He illogically insists that he would be her slave, if only she does everything he wants. He immediately responds by offering her the extra room in his house that he shares with his children half the time. She accepts and starts living with him. Her days revolve around studying and her free time is spent practicing cello in the hopes of becoming a more attractive candidate. Enter the rich and sophisticated David Peter Sarsgaardwho offers Jenny a lift back from cello practice one rainy day.

He draws her into his glamorous lifestyle, a welcome change from reading Latin dictionaries. This soon escalates to a weekend trip to Oxford and culminates in a trip to Paris for her 17th birthday. She becomes complicit in his lies and revels in fine-dining restaurants and night clubs. Her parents disregard his age in favor of his interesting conversations and social connections. Only her sixth form teachers seem to care about her stirring away from her education for an older, rich man.

No one expects anything bad from David, not unless they truly know him. In this transitory phase of their lives, they have nothing much to do besides follow strangers and eat at a 50s diner. They are amused by this pathetic advertisement and prank call him pretending to be the blonde and arrange a meeting.