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Check out this homemade sex tape that these two horny teens made. They`ve had some fun with the video camera before, but it`s always been with their c. Hunt's Photo & Video is New England's Imaging Equipment Leader. •Camera Specials Fujifilm X-H1 Mirrorless Camera Body with Bag and 4V Strap. The Video Home System (VHS) is a standard for consumer-level analog video recording on "Why doesn't disc X work in player Y?". softball-bats.us

This results, during playback, in destructive interference of the signal from the tracks on either side of the one being played. One tape head records an entire picture field. The original VHS specification had only two video heads. Later models implemented at least one more pair of heads, which were used at and optimized for the EP tape speed.

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The high tape-to-head speed created by the rotating head results in a far higher bandwidth than could be practically achieved with a stationary head. The luminance black and white portion of the video is recorded as a frequency modulatedwith a down-converted " color under " chroma color signal recorded directly at the baseband.

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Each helical track contains a single field 'even' or 'odd' field, equivalent to half a frame encoded as an analog raster scansimilar to analog TV broadcasts. The horizontal resolution is lines per picture height, or about lines across a scan line, and the vertical resolution the number of scan lines is the same as the respective analog TV standard for PAL or for NTSC ; usually, somewhat fewer scan lines are actually visible due to overscan. The frequency modulation of the VHS luminance signal is limited to 3 megahertz, which makes higher resolutions technically impossible even with the highest-quality recording heads and tape materials, but an HQ branded deck includes luminance noise reduction, chroma noise reduction, white clip extension, and improved sharpness circuitry.

The effect was to increase the apparent horizontal resolution of a VHS recording from to analog equivalent to pixels from left-to-right, in digital terminology. S-VHS was designed for higher resolution, but failed to gain popularity outside Japan because of the high costs of the machines and tapes.

Audio recording[ edit ] After leaving the head drum, the tape passes over the stationary audio and control head. This records a control track at the bottom edge of the tape, and one or two linear audio tracks along the top edge. Original linear audio system[ edit ] In the original VHS specification, audio was recorded as baseband in a single linear track, at the upper edge of the tape, similar to how an audio compact cassette operates.

The recorded frequency range was dependent on the linear tape speed. Audio cannot be recorded on a VHS tape without recording a video signal, even in the audio dubbing mode. If there is no video signal to the VCR input, most VCRs will record black video as well as generate a control track while the audio is being recorded.

Some early VCRs would record audio without a control track signal, but this was of little practical use since the absence of a control track signal meant that the linear tape speed was irregular during playback.

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More expensive decks offered stereo audio recording and playback. Linear stereo, as it was called, fit two independent channels in the same space as the original mono audiotrack. While this approach preserved acceptable backward compatibility with monoaural audio heads, the splitting of the audio track degraded the signal's SNR to the point that audible tape hiss was objectionable at normal listening volume.

To counteract tape hiss, decks applied Dolby B noise reduction for recording and playback. Dolby B dynamically boosts the mid-frequency band of the audio program on the recorded medium, improving its signal strength relative to the tape's background noise floor, then attenuates the mid-band during playback.

Dolby B is not a transparent process, and Dolby-encoded program material will exhibit an unnatural mid-range emphasis when played on non-Dolby capable VCRs.

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High-end consumer recorders took advantage of the linear nature of the audio track, as the audio track could be erased and recorded without disturbing the video portion of the recorded signal. Hence, "audio dubbing" and "video dubbing", where either the audio or video are re-recorded on tape without disturbing the otherwere supported features on prosumer linear video editing -decks.

Without dubbing capability, an audio or video edit could not be done in-place on master cassette, and requires the editing output be captured to another tape, incurring generational loss.

Studio film releases began to emerge with linear stereo audiotracks in From that point onward nearly every home video release by Hollywood featured a Dolby-encoded linear stereo audiotrack. However, linear stereo was never popular with equipment makers or consumers. Tracking adjustment and index marking[ edit ] Another linear control trackat the tape's lower edge, holds pulses that mark the beginning of every frame of video; these are used to fine-tune the tape speed during playback, so that the high speed rotating heads remained exactly on their helical tracks rather than somewhere between two adjacent tracks known as " tracking ".

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The control track is also used to hold index marks, which were normally written at the beginning of each recording session, and can be found using the VCR's index search function: At times, higher-end VCRs provided functions for the user to manually add and remove these marks [35] [36] — so that, for example, they coincide with the actual start of the television program — but this feature later became hard to find.

For example, Panasonic's Tape Library system assigned an ID number to each cassette, and logged recording information channel, date, time and optional program title entered by the user both on the cassette and in the VCR's memory for up to recordings with titles. VHS Hi-Fi audio is achieved by using audio frequency modulation AFMmodulating the two stereo channels L, R on two different frequency-modulated carriers and embedding the combined modulated audio signal pair into the video signal.

To avoid crosstalk and interference from the primary video carrier, VHS's implementation of AFM relied on a form of magnetic recording called depth multiplexing. The modulated audio carrier pair was placed in the hitherto-unused frequency range between the luminance and the color carrier below 1.

Subsequently, the video head erases and re-records the video signal combined luminance and color signal over the same tape surface, but the video signal's higher center frequency results in a shallower magnetization of the tape, allowing both the video and residual AFM audio signal to coexist on tape.

During playback, VHS Hi-Fi recovers the depth-recorded AFM signal by subtracting the audio head's signal which contains the AFM signal contaminated by a weak image of the video signal from the video head's signal which contains only the video signalthen demodulates the left and right audio channels from their respective frequency carriers.

The end result of the complex process was audio of outstanding fidelity, which was uniformly solid across all tape-speeds EP, LP or SP. Since JVC had gone through the complexity of ensuring Hi-Fi's backward compatibility with non-Hi-Fi VCRs, virtually all studio home video releases produced after this time contained Hi-Fi audio tracks, in addition to the linear audio track.

Due to the path followed by the video and Hi-Fi audio heads being striped and discontinuous—unlike that of the linear audio track—head-switching is required to provide a continuous audio signal. While the video signal can easily hide the head-switching point in the invisible vertical retrace section of the signal, so that the exact switching point is not very important, the same is obviously not possible with a continuous audio signal that has no inaudible sections.

Hi-Fi audio is thus dependent on a much more exact alignment of the head switching point than is required for non-HiFi VHS machines. Misalignments may lead to imperfect joining of the signal, resulting in low-pitched buzzing. The sound quality of Hi-Fi VHS stereo is comparable to the quality of CD audio, particularly when recordings were made on high-end or professional VHS machines that have a manual audio recording level control. This high quality compared to other consumer audio recording formats such as compact cassette attracted the attention of amateur and hobbyist recording artists.

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Home recording enthusiasts occasionally recorded high quality stereo mixdowns and master recordings from multitrack audio tape onto consumer-level Hi-Fi VCRs. However, because the VHS Hi-Fi recording process is intertwined with the VCR's video-recording function, advanced editing functions such as audio-only or video-only dubbing are impossible.

A short-lived alternative to the hifi feature for recording mixdowns of hobbyist audio-only projects was a PCM adaptor so that high-bandwidth digital video could use a grid of black-and-white dots on an analog video carrier to give pro-grade digital sounds though DAT tapes made this obsolete. Some VHS decks also had a "simulcast" switch, allowing users to record an external audio input along with off-air pictures.

Some televised concerts offered a stereo simulcast soundtrack on FM radio and as such, events like Live Aid were recorded by thousands of people with a full stereo soundtrack despite the fact that stereo TV broadcasts were some years off especially in regions that adopted NICAM. Other examples of this included network television shows such as Friday Night Videos and MTV for its first few years in existence. Likewise, some countries, most notably South Africaprovided alternate language audio tracks for TV programming through an FM radio simulcast.

The considerable complexity and additional hardware limited VHS Hi-Fi to high-end decks for many years.

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Even then, most customers were unaware of its significance and merely enjoyed the better audio performance of the newer decks. The audio system both linear and AFM is the same. S-VHS made little impact on the home market, but gained dominance in the camcorder market due to its superior picture quality. Since VHS-C tapes are based on the same magnetic tape as full-size tapes, they can be played back in standard VHS players using a mechanical adapter, without the need of any kind of signal conversion.

The magnetic tape on VHS-C cassettes is wound on one main spool and uses a gear wheel to advance the tape. The video is not just a short video that is shot with blurry images but a video that is shot with a quality camera, with sexual practices, and a length to meet the desires of enthusiasts. Vivid entertainment saw the value of the video and quickly got its rights. Vivid made the purchase and named the video Kim K Superstar. Kim went to court in an attempt to stop the release of the video to the public but she was not successful.

However, Kim K Superstar was released nevertheless and we got a chance to view the video and enjoy it. You know what to do… Vivid Entertainment made a lot of money from the viewing of Kim Kardsahian Superstar.

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Kim stood to make a lot of money from the video. Kim went ahead and made a deal with E! How She Made Her Fortune http: During the summer, after Kim and Kris wedding, anonymous rumours regarding the purchase of the rights to the video to get it off the market were heard. Many analysis viewed this move as a strategy by Vivid Entertainment to better the existing interest on the video.

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The allegations were that Kim was directed to shot the video to make money and become popular. Kris also mentioned that Kim asked for a retake of the movie because it was not well taken.

Jenner denied these allegations and Kris was viewed as a jilted lover. Kim responded that she has made many mistakes in her life and the tape was one of them. Her fans preferred to believe her than Kris but the rumours. In the midst of all this, vivid entertainment pulled the interest that they wanted towards the tape. As if that was not enough, in JulyKim brought the issue again by making a tweet that was perceived to reflect back on the issue.

She made a remark suggesting that she is defined by her past. At this time, she was a celebrity and any tweet that she made brought a lot of attention towards it. Ray J also referred to the tape. He made remarks regarding how Kim may have made some money out of the tape.

Although Ray J had never made strong remarks or reacted to the attention that came his way, his remarks at this point triggered a flare of activity on social media bringing the issue back to surface. He promised to release a second video of the couple sexual acts.