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She remarks that Laurie's friends "think of their babysitting jobs as opportunities to share drinks and beds with their boyfriends. One by one they are killed Pat Gill states that slasher films "seem to mock white flight to gated communities, in particular the attempts of parents to shield their children from the dangerous influences represented by the city. This is based on the common belief that evil never dies, nor does evil show any remorse. This idea is demonstrated in the film when Dr.

Loomis discusses Michael's history with the sheriff. Loomis states, "I spent eight years trying to reach him [Michael Myers], and then another seven trying to keep him locked up because I realized that what was living behind that boy's eyes was purely and simply He explains, "The one girl who is the most sexually uptight just keeps stabbing this guy with a long knife.

She's the most sexually frustrated. She's the one that's killed him. Not because she's a virgin but because all that sexually repressed energy starts coming out.

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She uses all those phallic symbols on the guy. Carpenter is uncannily skilled, for example, at the use of foregrounds in his compositions, and everyone who likes thrillers knows that foregrounds are crucial. The camera slowly moves toward the jack-o'-lantern's left eye as the main title theme plays.

After the camera fully closes in, the jack-o'-lantern's light dims and goes out.

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Telotte says that this scene "clearly announces that [the film's] primary concern will be with the way in which we see ourselves and others and the consequences that often attend our usual manner of perception. According to scholar Nicholas Rogers, Carpenter's "frequent use of the unmounted first-person camera to represent the killer's point of view In a single, wonderfully fluid tracking shot, the camera establishes the quiet character of a suburban street, the sexual hanky-panky going on between a teenage couple in one of the staid-looking homes, the departure of the boyfriend, a hand in the kitchen drawer removing a butcher's knife, the view on the way upstairs from behind the eye-slits of a Halloween mask, the murder of a half-nude young girl seated at her dressing table, the descent downstairs and whammo!

The killer stands speechless on the lawn, holding the bloody knife, a small boy in a satin clown suit with a newly-returned parent on each side shrieking in an attempt to find out what the spectacle means. According to a Fangoria interview with Hill, "Yablans wanted the script written like a radio show, with 'boos' every 10 minutes.

Although Samhain is not mentioned in the plot of the first film, Hill asserts that: We went back to the old idea of Samhain, that Halloween was the night where all the souls are let out to wreak havoc on the living, and then came up with the story about the most evil kid who ever lived.

And when John came up with this fable of a town with a dark secret of someone who once lived there, and now that evil has come back, that's what made Halloween work. I realized what was living behind that boy's eyes was purely and simply Many script details were drawn from Carpenter's and Hill's own backgrounds and early careers: The fictional town of Haddonfield, Illinois was derived from Haddonfield, New Jerseywhere Hill was raised, [39] while several of the street names were taken from Carpenter's hometown of Bowling Green, Kentucky.

Tommy Doyle is named after Lt.

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There's always a house down the lane that somebody was killed in, or that somebody went crazy in. Sam Loomis, the hero of the film. Jamie Lee Curtisin her feature film debut, plays Laurie Strode, the heroine of the film.

Loomis was originally intended for Peter Cushingwho had recently appeared as Grand Moff Tarkin in Star Wars ; Cushing's agent rejected Carpenter's offer due to the low salary. I had no idea who she was. However, Lockhart had commitments to several other film and television projects.

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Soles to play Lynda Van Der Klok, another loquacious friend of Laurie's, best remembered in the film for dialogue peppered with the word "totally. Akkad worried over the tight, four-week schedule, low budget, and Carpenter's limited experience as a filmmaker, but told Fangoria: One, Carpenter told me the story verbally and in a suspenseful way, almost frame for frame.

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Second, he told me he didn't want to take any fees, and that showed he had confidence in the project". Carpenter hired Tommy Lee Wallace as production designerart directorlocation scout and co-editor. In the script it said Michael Myers's mask had 'the pale features of a human face' and it truly was spooky looking. I can only imagine the result if they hadn't painted the mask white.

It featured fantasy and horror as well as science fiction, with each episode being a complete story.

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The original series ran until and was revived in It has been extremely popular worldwide and has greatly influenced later TV science fiction programs, as well as popular culture. It combined elements of space opera and space Western.

Although only mildly successful it gained popularity through later syndication and eventually spawned a very popular and influential franchise through films, later programs, and novels; as well as by intense fan interest. Some works predict this leading to improvements in life and society, for instance the stories of Arthur C. Clarke and the Star Trek series. While others warn about possible negative consequences, for instance H.

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And the fact that some of that science fiction was not of the highest quality is irrelevant. The same study also found that students who read science fiction are much more likely than other students to believe that contacting extraterrestrial civilizations is both possible and desirable. Wonder emotion Science fiction is often said to generate a "sense of wonder. It is an appeal to the sense of wonder. Deep within, whether they admit it or not, is a feeling of disappointment and even outrage that the outer world has invaded their private domain.

They feel the loss of a 'sense of wonder' because what was once truly confined to 'wonder' has now become prosaic and mundane. Science fiction has sometimes been used as a means of social protest. Some of the most notable feminist science fiction works have illustrated these themes using utopias to explore a society in which gender differences or gender power imbalances do not exist, or dystopias to explore worlds in which gender inequalities are intensified, thus asserting a need for feminist work to continue.

Science fiction studies The study of science fiction, or science fiction studiesis the critical assessment, interpretation, and discussion of science fiction literature, film, new media, fandom, and fan fiction. Science fiction scholars study science fiction to better understand it and its relationship to science, technology, politics, and culture-at-large.

Science fiction studies has a long history, dating back to the turn of the 20th century, but it was not until later that science fiction studies solidified as a discipline with the publication of the academic journals ExtrapolationFoundation: